How to Use Internal Conflict to Your Advantage When Writing a Character-Driven Story

How to Use Internal Conflict to Your Advantage When Writing a Character-Driven Story

Earlier, we tackled the definition of a plot-driven novel and covered how to approach writing a plot-driven story of your own. If you missed it, don’t worry; you can find that post right here.

While plot-driven stories call for a lot of work on the front end—plotting, after all, is in the very name—character-driven stories require some work up front, too. Luckily for you pantsers, it’s easier to get away with minimal outlining when it comes to this type of novel.

It’s important to understand the basic elements of plot- and character-driven stories as a writer. Understanding these definitions will change how you approach your outlining and drafting process. This will cut down on the amount of revising you have to do and improve your writing in the long run.

In short, learning this stuff teaches you how to write faster and better, and that’s what’s really going to make your writing soar. 

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The Easiest Way to Start Writing Your Plot-Driven Story

The Easiest Way to Start Writing Your Plot-Driven Story

In general, there are two main types of writers: plotters and pantsers.

I’m definitely an advocate for plotting your novel. If you do the legwork on the front end, you’ll be more organized later—you essentially give yourself a road map when you’re drafting. I’ve already written about balancing action and reaction scenes within your story, but today we’re going to look at the big picture: the overall narrative arc of your book.

When it comes to plot-driven novels, there is very little leeway; you need to know where your story is headed. You need to know how to put this kind of story together so you can build your story arc from the ground up. That’s where this guide comes in.

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