Picture this: You’ve just written a scene, slaving away at your keyboard or notebook for hours, and all your characters have done exactly as you told them—hallelujah, right?
But wait—something feels… wrong. The scene feels flat—worse, it feels like it’s happened before. Your problem could, of course, be the plot; maybe the scene really has happened before. But, barring that—are your characters flat?
Flat characters are the bane of every writer’s existence, especially writers who rely heavily on character-driven stories. These are stories that revolve around characters who are fully fleshed out as living, breathing, decision-making human beings to keep things rolling. (I have a whole post on character-driven stories here.) Flat characters crush these stories into teeny-tiny pieces that fly off into the night in a gust of smoke while dramatically sobbing, “I could have been so much moooooooore!“
On a more serious note, flat characters often appear fully developed to the writer, smiling up at them through their character charts detailing everything from height to fatal flaw to favorite kind of pie. However, while these characters look good on paper, not enough of those details are present within the story to flesh them out as decision-making and influential characters.
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