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The 5 Questions You Need to Create Magic in Fantasy

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The 5 Questions You Need to Create Magic in Fantasy

Every fantasy book I’ve ever read has some element of magic to it. Whether it’s the existence of dragons, the power of witches, or the sentience of trees, magic—an impossible reality—is the cornerstone of the genre. 

Given this, I would be remiss if I didn’t touch on the creation of a magic system. When starting their novels, too many aspiring authors tend to under-develop their ideas. This creates plot holes to patch up (or completely rewrite) later. I’ve fallen victim to under-writing magic myself, so I’ve compiled a list of facets to consider in hopes that you might benefit from my mistakes. By asking yourself a few important questions, you can (almost magically!) stop plot holes in their tracks before they even exist.

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The Ultimate Breakdown of (Semi)Colons to Help You Become an Expert

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The Ultimate Breakdown of (Semi)Colons to Help You Become an Expert

In any kind of writing (especially prose), sentence flow is extremely important when it comes to keeping your audience engaged. Too many short, choppy sentences in a row leave the writing feeling too simplistic, while too many long, flowing sentences may leave the reader feeling bored or confused. It becomes necessary to vary the pace, to keep the reader on their toes. That’s where punctuation comes in.

Punctuation is the key to controlling how your audience reads the sentences you write. Periods are, of course, a full stop. Exclamation points and question marks have their uses as well, providing interesting shifts in tone when used appropriately. Commas connect thoughts or separate items in a list, although they can become… muddy. 

With too many commas, your writing turns into the circuitous prose of an eccentric 18th-century novelist. However, not adding pauses to your work will make your writing seem stiff. So how do you break up your sentences to maintain the proper pacing?

COLON and SEMICOLON enter stage left. 

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8 Tried-and-True Methods to Find Your Motivation to Write

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8 Tried-and-True Methods to Find Your Motivation to Write

Tell me if this sounds familiar:

You look down at your to-do list and see the next item on it—revise next two chapters of draft. It’s a manageable goal—a downright small goal, frankly—and you know it, but you feel… stuck. You can’t quite force yourself to sit down at your computer and get it done, especially not when watching the next episode of your favorite show is so much easier and so much more fun. Sure, drafting was exciting, but revisions just suck. Before you know it, three hours have gone by and you haven’t accomplished anything. Then five hours. Then seven. Then—oh look, it’s dinnertime. Oh, well, surely tomorrow will be a more productive day.

No? Just me? Well, I’m going to talk about it anyway.

Motivation is a slippery thing, showing up at the most inconvenient times—for me, it’s around 1am—and flitting away as suddenly as it arrives. Almost any kind of work can be done without feeling motivated; in fact, work should be done without motivation, given the latter’s elusive and inconsistent nature. However, I’ve come to realize that I tend to do my best work when I’m feeling inspired and motivated to write, and there are a few specific things I do to keep my head in the game and make sure I’m giving my current project my all. Hopefully, you will be able to apply these steps the next time you find yourself “left in a Lurch,” as Dr. Seuss would say.

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5 Male Characters Who Fall Flat… and How to Fix Them

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5 Male Characters Who Fall Flat and How to Fix Them

Previously, we tackled flat female archetypes and possible solutions to their plight. Now, it’s the men’s turn.

For those of you who aren’t aware—or just don’t feel like going back to this post—flat characters are those who are neither decision-making nor influential to the story’s plot. Sometimes, it’s hard for writers to spot a flat character because they know more information about him than what makes it into the story. More often than not, flat characters are difficult to recognize because they do make a decision—once. Then that choice becomes their M.O. for the remainder of the story, or until the character dies.

The problem with making the same choice at every crossroads is that the character doesn’t change or grow. He stagnates; he keeps the plot from changing; his scenes become lifeless, tired, worn out. He is a flat character, and this must be remedied.

Here, I’ve laid out five common flat male archetypes, reasons why they fall flat, and some suggestions for fixing them and turning them into characters who are full of life and make unique decisions. Hopefully, this list will give you a head start when it comes to identifying any flat characters who could be lurking in your own WIP.

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How to Make Sure Your Novel Ebbs and Flows Naturally

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How to Make Sure Your Novel Ebbs and Flows Naturally

Among my friends and family, I make it no secret that I dislike watching action movies.

I don’t hate them, per se, but they’ve never truly interested me. For the longest time, I couldn’t figure out why. It wasn’t until I was watching an Indiana Jones movie—and hating the experience, much to my family’s chagrin—that I recognized the source of my aversion: more often than not, in my experience, the pacing of action movies is severely unbalanced. They’re all action, with little to no reaction, and so on an emotional level they tend to fall flat.

Scenes and Sequels

In general, there are two main types of scene: there are scenes full of action that further the plot, and scenes in which the characters (and reader) pause to regroup and take stock of their emotions. More experienced and renowned writers than I, such as Dwight Swain or Randy Ingermanson, may call these “scenes” and “sequels.” 

I find the name of the thing is less important than its definition and, most important of all, its practical use. As a result, I tend to explain them rather simply. “Scenes” are when things happen—this is when the story flows. “Sequels” are when characters react—this is when the story ebbs, pulling back before flowing forward again.

Even more simply put: there is action, and there is reaction, and a good story has both in not-quite-equal measure.

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5 Female Characters Who Fall Flat… and How to Fix Them

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5 Female Characters Who Fall Flat and How to Fix Them

Picture this: You’ve just written a scene, slaving away at your keyboard or notebook for hours, and all your characters have done exactly as you told them—hallelujah, right? 

But wait—something feels… wrong. The scene feels flat—worse, it feels like it’s happened before. Your problem could, of course, be the plot; maybe the scene really has happened before. But, barring that—are your characters flat?

Flat characters are the bane of every writer’s existence, especially writers who rely heavily on character-driven stories. These are stories that revolve around characters who are fully fleshed out as living, breathing, decision-making human beings to keep things rolling. (I have a whole post on character-driven stories here.) Flat characters crush these stories into teeny-tiny pieces that fly off into the night in a gust of smoke while dramatically sobbing, “I could have been so much moooooooore!“

On a more serious note, flat characters often appear fully developed to the writer, smiling up at them through their character charts detailing everything from height to fatal flaw to favorite kind of pie. However, while these characters look good on paper, not enough of those details are present within the story to flesh them out as decision-making and influential characters. 

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